In both the excerpts from K ben train der zees apologue A private sorrow and in Gail Godwins short novel A bereft Woman, the plots reduce on ideas of sexual uniting and family. Conversely, marriage and family are presented in really different lights in the cardinal stories. Karen van der zee presents marriage with children as correct and completely fulfilling; it is what Faye, the star of A cloistered Sorrow, wants and what is needed to her happiness. For Godwins unnamed protagonist, marriage and family are close to the antithesis of happiness; her inhabitancy life seems to suffocate read and lastly leads her to death. A brain-teaser Sorrow directly endorses and encourages marriage, whereas A Sorrowful Woman indirectly questions and discourages it. Both of the female protagonists in the two stories pay back a contradict. In A Secret Sorrow Fayes encroach comes to begin with the marriage. She is struck with misery and lambast because she cannot curb children and idolizes that this for push back block her from marrying the man she loves. Both she and her beloved, Kai, appetency marriage with children, and van der Zee suggests that only with these things will they in truth be happy. Faye feels that her unfitness to have children is a fatal defect that cuts her off from Kais love.
any sequence we see some significant char, every time were with somebody elses children Ill feel Ive failed you! (Zee 35). Fayes anxiety and fear are found on the thought of losing her beloved Kai, attended by neer having children. In A Sorrowful Woman, however, the conflict comes after the marriage, when the woman has already secured her keep up and child. Unlike Faye, who would be ecstatic in this womans situation, the protagonist of Godwins story is not. Oddly enough, her husband and son nonplus her such sorrow that eventually... If you want to get a bounteous essay, direct it on our website:
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