Existentialism and Theatre Existentialism is a concept that became favorite during the second World War in France, and just afterward it. French playrights collapse often used the stage to portray their views, and these views came to surface even during a Nazi occupation. Bernard Shaw got his play angel Joan past the Ger humankind censors because it appeared to be very Anti-British. French audiences withal immediately understood the real meaning of the play, and replaced the British with the Germans. Those sorts of unavowed meanings were common throughout the period so that plays would be equal to(p) to pass censorship. Existentialism proposes that man is full of anxiety and despair with no meaning in his life, just simply existing, until he made decisive filling about his own future. That is the tendency to achieve dignity as a benignant being. Existentialists entangle that adopting a social or semipolitical cause was cardinal way of giving purpose to a life. Sart re is well cognise for the Theatre take over or Theatre committed, which is supposedly committed to social and/or political action. One of the major(ip) playwrights during this period was jean-Paul Sartre. Sartre had been imprisoned in Germany in 1940 nevertheless managed to escape, and blend one of the leaders of the Existential movement. Other popular playwrights were Albert Camus, and jean Anouilh.
Just like Anouilh, Camus accidentally became the spokesman for the French Underground when he wrote his famous essay, Le Mythe de Sisyphe or The Myth of Sisyphus. Sisyphus was the man condemned by the gods to roll a rock t o the top of a mountain, provided to have i! t roll back down again. For Camus, this related heavily to chance(a) life, and he saw Sisyphus an absurd hero, with a pointless existence. Camus felt that it was unerring to wonder what the meaning... If you want to get a full essay, apprise it on our website:
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