There ar deuce kinds of independence: freedom to, and freedom from. Historic every(prenominal)y, women in the United States have fought philosophical battles in and out of the theme to fulfil freedom to and have been successful. exclusively what if society suddenly took by these freedoms? What if American women were suddenly returned to their recluse state of old in which their only freedom was the freedom from the dangers of the surrounding world? therefore again, did women ever truly achieve freedom to at all? Such are the difficult-to-answer sociological questions raised in Margaret Adeuceods novel The Handmaids Tale. In this thought-provoking work, two societies with completely opposing ideologies and concepts of freedom are juxtaposed as an attempt to answer these same questions. The commencement society is modernistic America with its relatively liberal to a greater extents and customs, and the act is Gilead, a totalitarian Christian theocracy which takes contr ol of America in the late 1980s in order to save it from its pollution and tapering off birthrate. The novels protagonist, Offred, uses two sets of images to document the history of these contrasting societies. She recounts to the reader with a galvanise poignancy and photographic clarity the images of her memories of her past liveness as an American woman, and those of her present life as a Handmaid, or uterine slave, to the Republic of Gilead.

Ironically, the images of Offreds life in Gilead, which are lots more fantastical than Offreds past as a mall class American, are recounted in the present tense, big (p) them a more solid tone and seeming huma! ns than is use to depict her past life. The descriptive imagery used by Offred to get out her experience has a richness and frankness which translates each shot so effectively that they take on an almost photographic quality to the reader. In effect, If you want to nettle a full essay, order it on our website:
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